To finish off our poster there are a few more features we may wish to add, as illustrated below:
Names of main actors
Quote from review
Slogan
Production information
Awards
Director
Website
Production company logos
Any special features
Coming soon/ release date
Wednesday, 27 April 2011
Poster feedback
In order to make appropriate changes, I have sought feedback on our poster in a few different ways. Specifically I have emailed the poster to a select few who match the ideal target audience member, to ensure our poster is appealing to them. The printscreen shows the attachment and list of email addresses highlighted.
Here are print screens of the emails I recieved back:
I have found this useful as it gives me a clearer image of how our target audience percieve our poster, and following this feedback I will make appropriate changes.
In order to receive more general feedback, I have asked twenty people a series of simple questions, shown below: (note that diagrams are used to illustrate majorities and are not drawn accurately)
Do you find this poster effective?
What would you say is this posters biggest strenght? (chosen from imagery, lighting, colour, composition, editing, copy)
What would you say is this posters biggest weakness? (chosen from imagery, lighting, colour, composition, editing, copy)
Would this poster stand out against others?
Does it make you want to view the film?
What mood and emotions are depicted from this poster? (chosen from happiness, sorrow, anger, confusion, combination, can't tell)
Here are print screens of the emails I recieved back:
![]() | ||
| This individual felt that the main factor needing work was the copy, and the name of the film itself which I will take into consideration. |
![]() |
| Again the only negative was the copy, which both of the individuals felt was not appropriate and did not match the standard of the rest of the poster. |
In order to receive more general feedback, I have asked twenty people a series of simple questions, shown below: (note that diagrams are used to illustrate majorities and are not drawn accurately)
Do you find this poster effective?
| Twenty of twenty people asked said they felt our poster was effective, which tells us we have created something people feel has meaning, important to our film. No change needs to be made here. |
What would you say is this posters biggest strenght? (chosen from imagery, lighting, colour, composition, editing, copy)
What would you say is this posters biggest weakness? (chosen from imagery, lighting, colour, composition, editing, copy)
Would this poster stand out against others?
Does it make you want to view the film?
What mood and emotions are depicted from this poster? (chosen from happiness, sorrow, anger, confusion, combination, can't tell)
Chosen poster strenghts and weaknesses

This is the poster we are going to use, as its the best in terms of imagery and colour. I am hoping to receive feedback on the basic poster design before we add the finishing touches in order to ensure our poster is as visually effective as possible.
Here are its main strenghts and weaknesses that I myself would notice:
Strenghts:
- Use of colour
- Effective lighting
- Image can be percieved on numerous levels
- Imagery acts as powerful metaphors, e.g. chains imprisionment
- The copy looks bland and uniteresting
- It could perhaps signify more personalitiy if it wasnt a simple sans serif
- The colour of the copy could be more effective
Thursday, 7 April 2011
Filming considerations shot reverse shot
Shot reverse shot is a feature of the classical style of Hollywood continuity editing. The character will be shown looking at something, and the camera cuts to what they are looking it. In a conversation, it will cut between the two characters giving the impression they are looking at each other and making the conversation fluid. Using stop reverse shot is important to help audiences gain perspective on a situation, and to allow them to understand.
Filming considerations rule of thirds
The rule of thirds usually used visually in photography devides the image into three imaginary parts, the weaker character is usually positioned on the left hand side, and the more dominant character situated on the right.

This can be demonstrated by this image, taken from Fish Tank where Mia is situated on the left hand side, as she is vulnerable in Connors presence. He is in controll and dominating, situated on the right.
The rule of thirds can also be used to encourage audiences to think about the space left surrounding a character, for example it could be used to make a character appear small in comparrison to their surroundings creating vulnerability. In this image we can see Mia is not situated centerally, but placed on the left hand side of the frame.

When shooting our short film, particularly the silhouette scenes I want to ensure our character is placed to the left hand side, emphasisng her fragility and creating a vast space surrounding her.
This can be demonstrated by this image, taken from Fish Tank where Mia is situated on the left hand side, as she is vulnerable in Connors presence. He is in controll and dominating, situated on the right.
The rule of thirds can also be used to encourage audiences to think about the space left surrounding a character, for example it could be used to make a character appear small in comparrison to their surroundings creating vulnerability. In this image we can see Mia is not situated centerally, but placed on the left hand side of the frame.

When shooting our short film, particularly the silhouette scenes I want to ensure our character is placed to the left hand side, emphasisng her fragility and creating a vast space surrounding her.
Tuesday, 5 April 2011
Filming considerations 180 degree rule
Whilst filming we should be aware of techniques that will enable us to produce a professional, dynamic film.

The 180 degree rule states that two characters within the same scene should always maintain a left right relationship, they must always be facing the same side. Crossing over the imaginary axis between the characters will disorientate the audience, and could break the flow of the sequence.
This scene from the dark knight demonstrates the 180 degree rule, in an interrogation of the joker.

The 180 degree rule states that two characters within the same scene should always maintain a left right relationship, they must always be facing the same side. Crossing over the imaginary axis between the characters will disorientate the audience, and could break the flow of the sequence.
This scene from the dark knight demonstrates the 180 degree rule, in an interrogation of the joker.
Laura Mulvey
Laura Mulvey's male gaze theory is something I have considered whilst making our short film, it states that there is unequal relationship between women and men in film, with women being viewed purely as sexual objects - men view, women are viewed. I have demonstrated the difference below.

Mia from fish tank opposes this theory, as her character is not supposed to be visually admired and gazed upon but instead developed through her personality and life troubles.
As opposed to Mias mother, whos is extroverted and designed for male attention as well as her personality and characteristics.
PHOTO HERE
Mia from fish tank opposes this theory, as her character is not supposed to be visually admired and gazed upon but instead developed through her personality and life troubles.
As opposed to Mias mother, whos is extroverted and designed for male attention as well as her personality and characteristics.
PHOTO HERE
Subscribe to:
Posts (Atom)









